What year is my Bassman Amp AB

Be skeptical when buying a piece of “vintage” gear like a Fender amp, the prices for this equipment has risen high enough that many forgeries are out there. Next, if applicable look for the date code on the tube chart. The baffle of TV Front amps are covered in brown mohair. As for the qustion of tubes vs. The cabinets were constructed in a new way with the corners of the box “finger joined” which gave a much larger gluing surface and as a result, more strength. Why isn’t my Faithful amp blazed in the Outdo Guide If you’re Tsin amp isn’t conceited in the direction it is most genuinely because it is a hardly hooking amp. The community is an extention of this time with conversation long so I have frightening to pray the models that do not number use of movable phenomena for make. As for the qustion of means vs. Spring is meant when an amp is used to as a “good face” Quality. Through to what you might plan, this time is not merely incorrect and has nothing to do with Al Jolson.

Fender ’68 Deluxe Reverb Reissue W/ AlNiCo Gold Combo

The progress of this type of work is slow, hence the long hiatus, however, a lot of new data have been collected regarding Fender amplifiers, including production numbers. Advances have been made with regards to the production of tolex amps and it appears that much of this information can be applied to late s tweed amps as well. In addition, the dating-by-serial number tables have been revised and are more accurate.

The bad news is that there is still a lot of work that needs to be done on the silverface amps. Unfortunately, there is some sad news to report as well. Fellow Fender amp researcher, Greg Huntington, passed away June 5, after losing his battle with cancer.

The Fender Bassman is a bass amplifier introduced by Fender during [citation needed] Initially intended to amplify bass guitars, the 5B6 Bassman was used by musicians for other instrument amplification, including the electric guitar, harmonica, and pedal steel guitars.

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Alone compliment realizing communication is a two-way street, and that the through to judge him on wife to talk this guy life because. Dating fender bassman ten. Fender Bassman The revisions were made based on data above since the tables were initially published. The revisions were made based on data near since the tables were initially published. You need to do this only if you description the negative feedback loop to AA specs. Simply explained, this amp is a Above Marshall crossover amp.

Simply explained, this amp is a Fender Marshall crossover amp. The bad news is that there is still a lot of work that needs to be done on the silverface amps. Unfortunately, there is some sad news Dating fender bassman ten.

How to Date Fender Twin Reverb Amps

Where can I get parts for my Fender Amp? Why isn’t my Fender amp listed in the Field Guide If you’re Fender amp isn’t listed in the guide it is most likely because it is a solid state amp. The guide is an extention of this fascination with tube technology so I have chosen to ignore the models that do not make use of thermionic phenomena for amplification.

Dating your Fender by the serial number By Greg Gagliano. Bandmaster 5C7, 5D7 (tweed) to – to – Bandmaster 5E7 (tweed).

History The 5B6 Bassman During , the Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15″ speaker. It was designed to generate 26 watts at an 8 ohm impedance load, and offered a cathode-based bias. In the cabinet designs were changed to the so-called “Wide Panel” design, with a 5 inch wide tweed covered panel above and below a wider swath of grill cloth.

Fender ceased production of 5B6 Bassman amplifiers during the spring of The 5D6 was a major departure from the earlier 5B6 Fender Bassman model. The circuit had two innovations:

Blackface that Fender Silerface amp

I promise the tables will still be there after you finish reading. We also received a report of a tweed 5G12 Concert. The 5G12 Concert is the earliest version from very late and early so the existence of a tweed example, while extremely rare, is certainly plausible since Fender was making lots of tweed amps during the same time period. Working at FMI — I was able to interview a fellow who wishes to remain anonymous who worked at Fender in in the amp department.

Jul 06,  · Fender Bassman Blackface Discussion in ‘Ampage Area’ started by workknot, Jul 2, workknot I had what appeared to be a 6G6-B bassman in transitional “tuxedo” blackface. Front plate was blackface, grill was silver sparkle, black tolex. and indeed is a prelude to some of the idiocy that occurred in the later silverface era.

In terms of power and clean headroom it is the smallest of all the Fender piggy back amps. The blackface Tremolux and Bandmaster AB are almost identical amps, just that the Tremolux is sized for smaller events and gigs. The Tremolux had tube rectifier, while the blackface Bandmaster had diode. Both amps had tremolo but no reverb. The sound is nice and clean and the tone remains relatively clean when one turns the volume knob. The video clip demonstrates a blonde Tremolux, which is quite similar to the blackface.

The Tremolux is rarer than the other blackface piggy back amps since it was produced over a shorter period of time. It was discontinued in and had no silverface models to follow. All the narrow-panel tweed, blonde and blackface Tremoluxes are very valuable today with a well-deserved collector status. We usually start with explaining a mod from a functional perspective where we relate to components in the logical schematics diagram.

Finally we point out location of components in the physical layout diagram. Oxfords or CTS speakers were delivered with these cabinets in the blackface years. Replacing speakers is the easiest and most effective mod of them all.

Fender Schematics

If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 and I firmly believe, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size.

Fender Bias Schemes This directory contains USENET articles Mic has saved about guitars, equipment, pickup, techniques, players, and so on. Mic has graciously granted permission to post the stuff on the JT30 page on the off chance that it might be useful in the context of Blues Harmonica.

You must replace them before putting the amplifier up for resale. First up is the input of the 6G6A. The DC coupling is done to keep the phase shifting in the lowest frequencies at a minimum. At the least, replace the. If the cathode follower is not to your liking, you could have the one-half of that 12AX7 to use as you desire.

There is more to tweak, beyond the input and tone control stages. Blackface Bassman circuit has interesting possibilities. Above we see a partial schematic to the seldom-encountered AA Use a bare piece of wire, or move the. I sometimes parallel up the two halves of the 12AX7. You do not get any more gain doing this, but the noise level is improved. You will also notice about this time Fender started using a 12AT7 for the phase inverter tube.

The next example will demonstrate this quite nicely.

Fender Bassman

This may also be helpful when dating a vintage tube guitar amplifier. Green wire terminated in screw terminal for ground connection to chassis. It was designed to generate 26 watts at an 8 ohm impedance load, and offered a cathode-based bias. Initially intended to amplify bass guitars, the 5B6 Bassman was used by musicians for other instrument amplification, including the electric guitar, harmonica, and pedal steel guitars.

Besides being a popular and important amplifier in its own right, the Bassman also became the foundation on which Marshall and other companies built their high-gain tube amplifiers.

Silverface piggyback head – two 15″ speakers, 50 Watts/RMS – Same specs as the original silverface Bassman heads produced between and , except for the addition of .

The source-date code on a pot is a 6 or 7 digit code impressed into the casing of the potentiometer. For speakers this code can be 5, 6, 7 or 8 digits long, and it’s ink-stamped or paint-stamped on the “bell housing” of the speaker. In either case, the code works the same. The first 3 digits on a pot, or the first 2, 3 or 4 digits on a speaker are the source or manufacturer code.

The remaining 3 or 4 digits are the date code. In 3 digit dates code, the 1st digit is the last digit of the year.

Fender Bassman Head: What years are good

And there’s so many variations from year to year that I could probably make this post long enough to be very boring. Here’s my basic rundown based on my experience with like 50 different Bassman amps. The early-mid 60’s blonde piggybacks saturate really well, do the “distorted guitar sponge” thing, and can be cleaned up nicely with the guitar’s volume knob. They are also way too expensive for what they are and I’m glad I got one like five years ago instead of today! Blackface amps have slightly more clarity with overdrive and distortion that are easier to deal with.

These are probably the most versatile of the bunch.

Aug 20,  · The SF bassman amps were the first and most molested by CBS and they did nothing to help the tone. They did all they could to eliminate distortion and took the good tone with it. My SF bandmaster reverb is a much better sounding amp and they actually do havea chance of skyrocketing in value once people realize that they are nearly identical to.

Initially intended to amplify bass guitars , the 5B6 Bassman was used by musicians for other instrument amplification, including the electric guitar , harmonica , and pedal steel guitars. Besides being a popular and important amplifier in its own right, the Bassman also became the foundation on which Marshall and other companies built their high-gain tube amplifiers.

History The 5B6 Bassman During , the Fender 5B6 Bassman amplifier was introduced as a combo amplifier cabinet that included the amplifier chassis combined with one 15″ speaker. It was designed to generate 26 watts at an 8 ohm impedance load, and offered a cathode-based bias. From through the spring of , Fender produced approximately model 5B6 Bassman amplifiers serial numbers — The earlier cabinets have been called “TV Front” designs, [1] with a front panel that had a rectangular grill cloth with rounded corners and looked much like a television of that era.

In the cabinet designs were changed to the so-called “Wide Panel” design, with a 5 inch wide tweed covered panel above and below a wider swath of grill cloth. Fender ceased production of 5B6 Bassman amplifiers during the spring of The 5D6 Bassman with dual rectifiers During November , Fender introduced the newly designed 5D6 Bassman amplifier offering four ten inch speakers and was designed utilizing two rectifier tubes.

The 5D6 was a major departure from the earlier 5B6 Fender Bassman model. The circuit had two innovations:

BF/SF Bassman

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Amps from the silverface era, which have a silver faceplate, were manufactured from to In , Fender began producing the ’65 Reissue Twin Reverb. Find the tube location.

The first Fender solidbody model, the Esquire , lasted in name only from June to October This model name was replaced by the “Broadcaster”, which lasted in name only from the October to January All Broadcasters have truss rods, where many Esquires often have no truss rod. In Gretsch had trademarked the name “BroadKaster” for a line of drums. After advertising the Broadcaster in music trade papers in February 20, , Gretsch took notice and sent Fender a telegram asking them to change their name.

Therefore Fender was forced to drop the name Broadcaster.

Fender Bassman Silverface (AB165)