Advantages[ edit ] A major selling point for the C melody saxophone was the fact that in contrast to other saxophones, it was not a transposing instrument. As a result, the player could read regular printed music e. This enabled amateur musicians to play along with a friend or family member by reading from the same sheet of music—so long as the music fell within the pitch range of the C melody saxophone itself, that is, was not too high or low. Many novelty tunes, most influenced by s dance music, were written specifically for the instrument. They were sometimes also used in churches to accompany hymns. Mouthpieces[ edit ] Dedicated mouthpieces were produced for the C melody saxophone, though these may be hard to find in the 21st century. The C melody has a muted sound when compared to other saxophone types, particularly if an original vintage mouthpiece is used. This made it particularly useful for its originally intended environment of playing in drawing rooms.
Vintage Saxophone Value Guide
Edit The saxophone was developed in by Adolphe Sax, a Belgian instrument maker, flautist, and clarinetist born in Dinant and originally based in Brussels, he moved to Paris in to establish his musical instrument business. Prior to his work on the saxophone, he had made several improvements to the bass clarinet by improving its keywork and acoustics and extending its lower range.
Sax was also a maker of the then-popular ophicleide, a large conical brass instrument in the bass register with keys similar to a woodwind instrument. His experience with these two instruments allowed him to develop the skills and technologies needed to make the first saxophones. As an outgrowth of his work improving the bass clarinet, Sax began developing an instrument with the projection of a brass instrument and the agility of a woodwind.
He wanted it to overblow at the octave, unlike the clarinet, which rises in pitch by a twelfth when overblown.
The King Tempo is a Keilwerth stencil. The King Lemaire is a Kohlert or Amati stencil (probably Kohlert). The name is from King’s association with SML: Strasser-Marigaux-Lemaire.
White Company was founded in Cleveland, Ohio by Henderson White, an engraver and instrument repairman. White started out working for McMilin’s Music Store. He often hung around the theater acquainting himself with the musicians and looking for repair work. Described in the King 50 Years of Achievement in the Band Instrument Industry, “For many months the two men collaborated, pooling their experience as artist and mechanic.
Frequently Thomas King went from the theatre to White’s shop to the the model trombone in its various stages of development. After long and painstaking effort the first of the famous line of King band instruments The article goes as far as to say, “Every professional trombonist in Cleveland bought one. In , White paired with F. The first world war enhanced White’s desire to make American made instruments using the supplier Cleveland musical Instrument Company.
H. N. White Serial Numbers for King Band Instruments
The main thing you learn from serial numbers is the age of the instrument of course. Although the dates in these charts are reasonably accurate, there may be some discrepancies for various reasons. Here are a few things to bear in mind: Sometimes a company may hold back a batch of instruments and then release them a couple of years later.
“Conn & King Musical Instrument Serial Number Info” This list is not correct for Conn saxophones (see Conn Woodwind Serial Numbers) or Conn bugles (see Pan American Brass Serial Numbers). See Conn Reed Instrument List at Bottom of Page, or Click Return To Link Page, .
I loved their sound and bought just about everything but once the 80’s rolled around I became disenchanted. I’m a woman, and I can appreciate the attractive qualities of some of the band members, but the excessive ranting and ravings of some of their female fans really put me off. That’s all fine and good between the 12 to 17 age group, but these women were over 35 and very scary.
Get over it people. These guys have lives and the gigs are a job to them. It’s sad to see these under-dressed, overly made up, over the hill, past their time wanna-have his baby types make fools of themselves. The shows have been the same for the last 35 years anyway, even the dialouge and banter. While I enjoy their music, I feel the band has stagnated. They need to change the show, If the insist on the same material, I suggest dropping the Vegas stage act.
I’d much rather see them perform acousticly without the background singers, dino-shuffle repetoire, The toned down sound would suit their voices and bring back the way the band was meant to sound, Mr. Hayward writes beautiful music, Simplicity brings out the best for the sound. I actually enjoyed his DVD from Capistrano; very toned down. If the Moody Blues would only do a show in the same manner.
Saxophone Serial Numbers: Info & Chart
I’m a poor college student. By the way the above opinions are my own,,No doubt many disagree with them. This is a great album. A About Face It is too 80s again. Quit trying to be a bloody pop artist.
Before the current model lineup evolved, Keilworth imported some nice horns stamped “The New King” with rolled tone holes and plastic key guards (must be intact) that have a small following. Mostly in lacquer, add 10% for silver.
Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. June Learn how and when to remove this template message The saxophone was developed in by Adolphe Sax , a Belgian instrument maker, flautist , and clarinetist. Born in Dinant and originally based in Brussels , he moved to Paris in to establish his musical instrument business. Prior to his work on the saxophone, he had made several improvements to the bass clarinet by improving its keywork and acoustics and extending its lower range.
Sax was also a maker of the then-popular ophicleide , a large conical brass instrument in the bass register with keys similar to a woodwind instrument. His experience with these two instruments allowed him to develop the skills and technologies needed to make the first saxophones. As an outgrowth of his work improving the bass clarinet, Sax began developing an instrument with the projection of a brass instrument and the agility of a woodwind.
He wanted it to overblow at the octave , unlike the clarinet, which rises in pitch by a twelfth when overblown. An instrument that overblows at the octave has identical fingering for both registers.
king super 20 saxophone
Contact Keilwerth Saxophone Julius Keilwerth was a designer and builder of Keilwerth Saxophones in the early part of the 20th century. Keilwerth Saxophones were sold under a number of brand names over the decades. Herbert Couf, who was the Vice-President of the W. Couf name were brought into the United States.
You occasionally see one of these pop up on eBay as a “rare King Silver-Sonic soprano sax!” Series III xxx to xxx. The next series of S20’s is the batch of horns produced between xxx and xxx ( to ). More subtractions: The sterling neck became an optional item;.
Reviews and discussions about saxophones new and vintage, saxophone players and recordings. Monday, January 17, Great Vintage Saxophones Part Two In part two, I’ll discuss saxophones made by other prominent American brands, as well as Selmer, and a couple you may or may not know about. Buescher The very first saxophone made in the United States was built by Gus Buescher properly pronounced Bisher in when he was a foreman for Conn.
For many years, Buescher saxophones, as well as their other brass and wind instruments, competed well with Conn, Martin, King and Selmer. Buescher saxophones are noted for their rich and smooth sound. Sigurd Rascher, the well known classical saxophonist, author and teacher played a Buescher Tru-Tone throughout his playing career, and in jazz, Johnny Hodges sweet and soaring tone was played on a series of Bueschers, most notably an Aristocrat and a Later on, Selmer bought the company and that ended their production of high quality professional horns.
The style and mechanisms of the Buescher are similar to those of Conn, so I never had a problem playing them. In fact, in terms of sound, vintage Bueschers are among the best saxophones out there as far as I’m concerned. Here are some of my favorite models. Tru-Tone The Buescher Tru-Tone production run was from the mid-twenties until about or so, when they made the transition to the Aristocrat models.
Sigurd Rascher used a gold-plated model throughout his musical career, and his followers use them as well. They have a full, rich tone that lends itself to classical and orchestral music.
Saxophone Serial Number Chart
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The King Co. has a long and storied history dating back to when Henderson N. White began making saxophones for World War I era bands. An important stepping stone for King was its Zephyr model, which drastically improved intonation and .
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Serial Number Chart ::
Nobody said anything then! But this season for some reason people are acting like they never saw the bad girls club before this happened plenty of times! I hope you finally got that nose job boo? Damn You sound salty , girl you must not have watched the season. The girls got physical with kailie for no reason.
Henderson White chose the brand King as a symbol of superiority and leadership in In , White paired with F.A. Reynolds, and started offering woodwinds in , importing saxophones from Evette & Schaeffer (Buffet) marketed as student friendly pricing compared to American made horns. After that V. Kohlert saxophones.
The year saw the inception of Eclectic Discs, the home of good music and the label of choice for discerning music lovers throughout the world. Eclectic’s releases quickly became regarded as the watchword for quality packaging and superb remastering in the world of both catalogue reissues and frontline releases by classic artists, with over fifty individual titles released by the label. Now, the people who brought you Eclectic Discs bring you Esoteric Recordings, a new identity, but still a home for good music with the emphasis on quality packaged and remastered catalogue reissues and inspiring new works from artists with a history and heritage.
Esoteric is an exciting part of a new chapter for label manager Mark Powell that began with Eclectic Discs, and continues as part of the Cherry Red group of labels. Mark said “Cherry Red Records is the oldest independent record label in Britain, born of the glory days of the UK indie music scene of the late ‘s. Whilst their compatriots have either gone by the wayside or have become part of multi-national corporations, Cherry Red have always stayed true to their ideals.
It’s an exciting prospect to establish Esoteric Recordings within the company and to be part of their continuing story. Still There’ll Be More. This eight disc set comprises five CDs and three DVDs, of which the first three discs draw upon the key tracks from Procol Harum’s illustrious career. Disc four features the band’s legendary concert at the Hollywood Bowl on 21 September with the Los Angeles Philharmonic Orchestra and the Roger Wagner Chorale , whilst disc five features a previously unreleased concert at the Bournemouth Winter Gardens on 17 March All of the band’s surviving performances for the show are here, including the entire un-broadcast raw video footage of the band’s Beat Club Workshop studio concert from , shorn of the visual gimmickry of the actual broadcast, revealing the pure performance on DVD for the first time.
Disc seven features the entire sixty-five minute recording session of a performance for the German Musikladen series in October , most of which was never shown on television. This lavish re-mastered set also features a page hard backed book with an essay by Patrick Humphries and a lengthy in depth commentary on the performances featured by respected Procol Harum authority Roland Clare. The book also includes many previously unseen photographs and memorabilia from Gary Brooker’s private collection.